The MEA has a long history of community philanthropy related to music education. The MEA contributes to local colleges, supporting their music programs in a variety of ways. In addition, special scholarships are awarded to qualified students of MEA members from the Mary Jean Nelson Scholarship Fund. Each year the Mary Jean Nelson Scholarship Fund provides financial assistance for deserving music students to attend summer music camps or festivals and to help music majors who are attending colleges, universities or conservatories. "Music Major" is a broad term that today encompasses, among other studies, piano performance, collaborative piano, composition, music technology, education/pedagogy and music therapy. MEA also provides the Allegro Scholarship which covers fees for participation in MEA events.
A recent recipient of an MEA-MJN college scholarship wrote, "I was ecstatic upon hearing that I received this award and am extremely grateful... to purchase textbooks to help further my knowledge in my passions of music and programming... pursuing a career in program development for a music software company." Another student who was awarded a Camp Scholarship wrote, "I used my scholarship to attend the High School Piano Camp at Westminster Choir College. Though it was only a one-week camp, I was able to polish my solo piece with the help of some amazing teachers, and put together a piano quartet in time for the final performance in Bristol Chapel. It was a memorable experience and I hope to return next year!"
The MEA is a nonprofit 501(c)(3) organization, and all donations to the MEA-MJN Scholarship Fund are fully tax-deductible. The scholarship fund relies solely on generous individual donations, matching contributions from employers, and music sales at the monthly MEA General Meetings (when they are held in person). Making a contribution to this fund is a meaningful way to honor a person with congratulations (birthday, anniversary, graduation, etc.), get well wishes, or in memoriam. An announcement of your tribute, including your personal message, will be sent to the honoree. Please donate generously so that MEA can maintain and expand this supportive program!
Information for the Allegro, College, or Camp Scholarships can be found on the corresponding application forms. You can view all details and download the application forms by going to Forms/Downloads on the main menu. Online application forms are available from the teacher's Member Homepage. Please note that the deadline for submission is May 1.
Charlene Step and Sondra Tammam
Scholarship Committee Co-Chairs
The Music Educators Association of New Jersey is comprised of nearly 300 piano teachers across the state. MEA supports music opportunities through activities such as auditions, recitals, competitions, master classes, composition festivals and scholarship awards. Please consider making a tax-deductible contribution to these worthwhile efforts by clicking the 'Donate' button below. You may also download a donation form here.
Seven outstanding students have been awarded MEA-MJN Camp Scholarships this year. All of them have won high-level competitions in piano, most have mastered more than one instrument, and all of them excel academically. They live music, breathe music, and as one applicant expressed it, “Music is not just something I do — it is a vital part of my identity, guiding me on a journey of self-discovery and growth with each note I play, each rhythm I feel and every melody I create.”
Students of Mansoon Kim:
Student of Charlene Step:
Student of Beatrice Long:
Students of Gloria Chu:
We are extremely proud of these musicians and their achievements, and are thrilled to be able to award these scholarships. Congratulations to all — and to their MEA teachers who have nurtured and inspired them!
I’m excited to let MEA know what a wonderful time I had at my freshman year at Stevens Institute of Technology. The scholarship I received from MEA-NJ really helped me better afford this college experience, and I’m very grateful for it. Stevens was a perfect fit for me. The campus is beautiful, with a stunning view of the New York City skyline. There were activities at every corner, and plenty of events to get involved with. Learning to live on my own was fulfilling and, surprisingly, it didn’t take long to adjust to campus life.
I took a huge variety of courses—the required ones like English and math, basic music classes like theory, music history, and introduction to electronic music, and, of course, private piano lessons. My Creative Collaboration Class was easily the highlight of the year: a 2 1/2 hourlong class at the end of every Wednesday, when we would be assigned to work with a random group of kids and spend the next few weeks creating music together.
As a member of the Arts and Music LLC, a special housing group interested in the arts, we would periodically go to the city for museum tours and Broadway shows, for example. I joined a few clubs that really helped me become more social with everyone there. I even volunteered to help for the Newly Admitted Students Weekend, which felt good, since I knew exactly how they felt when I was in their position a year ago. Most recently, I’ve been performing at the Christian Health Care Center, and I just finished an intensive week at the William Paterson University Summer Jazz Program, ending with a big concert. My theory course really helped me in understanding how to read lead sheets and band music. I’m very excited for the coming semester, and highly recommend the MEA experience to prepare for a future in music. (Harrison studied with MEA member Dr. Thomas Parente at the pre-college level.)
Thank you to MEA for the generous scholarship towards my Interlochen Intensive Week in Michigan this past June. Interlochen was a wonderful opportunity that allowed me to develop further as a pianist and work with incredible faculty members. In addition to 3 to 4 hours of individual practice daily, Interlochen’s intensive schedule was filled with a mix of master classes, workshops, private lessons and student and faculty recitals. In a master class, I played a sonata and received valuable feedback on my performance from professors and students. Other classes focused on memorization skills, piano technique, and practice exercises. Performing in two student recitals in stunning Dendrinos Chapel was a thrilling way to showcase the hard work I’d put in all week.
Perhaps most invaluable was spending time with the other amazing students — a group of 30 high-schoolers from across the U.S. Being with such talented, kind, and passionate musicians was truly rewarding; it has inspired me to take my skills as a young artist to greater heights. I am so grateful to have had the opportunity to attend Interlochen, and I’m excited to continue my involvement with MEA as a student of Charlene Step.
My experience at the Philadelphia International Music Festival has played an exciting part in my musical endeavors. Mrs. Svetlana Smolina, the piano program's director (pictured left), is a virtuosic pianist and an inspiring mentor. I learned a lot under her guidance and also from the masterclasses. One aspect that I greatly enjoyed from the camp was learning and listening to the members of the Philadelphia Orchestra. To receive insightful feedback from these world-class musicians was such a rare privilege. The staff and faculty were all supportive, which helped create a healthy learning environment. Through this wonderful, transformative experience I hope to achieve new heights in my musical journey. (Eric is a student of Gloria Chu.)
The Fund was named for one of the MEA's former outstanding teachers, Mary Jean Nelson. Born in 1926 in Logan, Utah, Mary Jean took to the piano at an early age. By 14 she was already performing at church functions and teaching piano to other children. After graduating from Utah State University in 1948, where she received the Outstanding Graduating Student Award, she was admitted to the Juilliard School of Music in New York. Mary Jean opened a piano studio in Morristown, NJ, after she and her husband and two children moved there in 1960. She was an active soloist and accompanist in the area, performing with various chamber groups, soloists and choral ensembles. She was also a judge in MEA competitions, and a recipient of the Annual MEA Teaching Award. The Fund was named in her honor shortly after her sudden death in July, 2000.